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内蒙古乌拉特中旗首届蒙古唐卡艺术展盛大开幕

日期: 2017-07-17 16:08:47 编辑：林畅

内蒙古乌拉特中旗首届蒙古唐卡艺术展活动。

The 1st Mongolia Thangka Art Exhibition in Urad Middle Banner.

内蒙古有着悠久的草原文化，而草原文化中最重要也最具代表性的就是蒙古藏传佛教文化，有时简称为蒙传文化，寺庙、唐卡、经书、佛像等等艺术形式，构成了蒙传文化艺术品的内容。

Inner Mongolia boasts of time-honored grassland culture. Mongolian Tibetan Buddhism, among others, is the most important and representative part of it. Artistic carriers such as temple, Thangka, Buddhist ures and Buddha etc. constitute the cultural artifacts of Mongolian Tibetan Buddhism.

本次唐卡艺术周是全国第一次以蒙古藏传佛教文化艺术为主题的活动，也是旨在突出和确定在喜马拉雅文化体系中，蒙传文化的重要性和独特性。

As the first national activity themed on culture and art of Mongolian Tibetan Buddhism, this Thangka Art Week aims to highlight the importance and peculiarities of Mongolian Tibetan Buddhism in the Himalayan cultural system.

乌拉特中旗位于内外蒙古的交界，自西夏和蒙元王朝便是边境重镇，文化的积淀深厚，有多个古老的寺庙和城堡。在清朝开始，乌拉特中旗的蒙传文化开始建立并发展，三百年中数座蒙古藏传佛教被建立。最初有46座寺庙，至1966年前仍有寺庙23座。时至今日活动较多的寺庙只有希热庙（康造寺）和千里庙了。

Located in the border region of Inner and Outer Mongolia, Urad Middle Banner has been a town of strategic importance since Western Xia dynasty and Mongolia Yuan Dynasty. It enjoys a profound cultural heritage, with ancient temples and castles standing in great numbers. Since the Qing Dynasty, Mongolian Tibetan Buddhism in Urad Middle Banner began to germinate and develop. Throughout 300 years, many Mongolian Tibetan Buddhism temples were built. At the beginning, 46 temples were built and 23 among them still existed in 1966. Up to this day, only Xire Temple (also known as Kangzao Temple) and Qianli Temple still frequented by visitors.

本次文化艺术周的主题为“蒙古藏传佛教文化艺术”，由乌拉特中旗文化局，旅游局主办，以文化推动内蒙古发展，开启新的“草原文化、文化草原”。

Themed on the art and culture of Mongolian Tibetan Buddhism, this art week is co-hosted by Bureau of Culture and Tourist Administration of Urad Middle Banner, with an aim to promote the development of Inner Mongolia and open a new chapter of “grassland culture”.

唐卡为宗教绘画之一。唐卡的绘画技法与传统的工笔重彩技法基本是一致的，都是以线造型，着色以矿物质颜色为主。蒙古地区绘画在很大程度上吸收唐卡以及藏传佛像画、佛教壁画的技法。蒙古地区人大部分崇尚佛画艺术，所以蒙古画的创作中吸收了佛画艺术着色技法和色彩构成的运用。蒙古民族在文化上是一个不保守的开放性的民族，善于接受其他民族的文化，并将其融合到本民族的文化中去。大多数的蒙古唐卡尺寸较小。

Thangka is one of religious paintings. Thangka shares the same painting techniques with traditional Chinese realistic painting with fine brushworks and details, both modeling through lines and coloring mainly with mineral pigments. Painting in Mongolian region has largely absorbed the painting techniques of Thangka, Tibetan Buddhism painting and Buddhist mural. Since Buddhism paintings are in favor with many people in Mongolian region, coloring techniques of Buddhism painting have been adopted in the creation of Mongolian paintings. As a culturally open nationality, Mongolian is receptive to the cultures of other nationalities and integrates them into their own culture. Most Mongolian Thangka works are relatively small in size.